Paranorman is an exceptional, gorgeous stop motion marvel. It’s pure, innocent, magical beauty easily whisks away its audience to a vision of splendor. It’s a fantastic film on most every level, from the characters, to the color, the story, the themes and even the 3D. It is a film that will easily find its way into the hearts of many a young fan and will certainly become a staple of the... 

Sorry for the delay in this week’s show. The computer we use to encode the episode died, and this time it looks like it’s permanent. We’re trying something new to bring you the episode and hope it works as well. This week’s episode sees reviews of Wall Street: Money Never Sleeps, Let Me In, and The Social Network, as well as berating of Margaret and Jeff for not watching our... 

Matt Reeves may very well be my new hero. The director, who showed his skill as a director and love of genre film with his breakout picture, Cloverfield, is to be lauded for what his latest picture is, as much as he should receive credit for what it isn’t. In a market saturated with fans of Nuevo-vampire excrement, Let Me In is a breath of fresh air as well as a fantastic artistic achievement. An... 

Based on the Cormac McCarthy Pulitzer prize winning novel of the same name, the film The Road takes the picture McCarthy painted and puts the characters in motion. Clearly respectful of the original work in making our world look desolated and void of life, The Road challenges the audience to look certain death in the eye and still find a reason to live. At the heart of the movie, the story follows...